PAR TERRE AND PRISON

Much talk, at Barnard, about poetry and enclosure and prison, as a merely formal strategy, or a political one too?, amid my reckonings that Rosselli was responding to the aesthetics that just preceded hers. Philology and its shortcomings. Isn't it the case that a writer responds to the just-passed Zeitgeist even when we can't track that author's specific beefs with specific texts?

 

 

architext, everything, new york, poesy, postpastoralism, rome, traductionJ. ScappettoneAmelia Rosselli, experience/experiment, polis/oikos