“Against the preemptive present: Some things I learned about time, space, and school from Lyn Hejinian,” Jacket2, May 2024

“The Infinite Cartography of Etel Adnan,” Harriet @ The Poetry Foundation, November 2023

“On ‘X-RAY,’ by ‘the Baroness’ Elsa von Freytag-Loringhoven,” for The Difference is Spreading: Fifty Contemporary Poets on Fifty Poems, ed. Al Filreis and Anna Strong Safford (University of Pennsylvania Press, 2022)

“Coal-Mine Canary,” a visual-verbal entry for the 21st-century bestiary BECOMING Feral (Objet-a, 2021)

“Out of Marsh and Bog: H.D., Imagiste and the Poesis of HERmione Precisely,” for The Poet’s Novel: Context and Melodrome, ed. Laynie Browne (Nightboat Books, 2021)

Statement on “Confinement Motet,” a videopoem, in House Party #14, April–May 2020

“Fog is my Land: A Citizenship of Mutual Estrangement in the Painted Books of Etel Adnan,” in Reading Experimental Writing, ed. Georgina Colby (Edinburgh University Press, 2019)

“Agitating a Copper Lyre; Or, Geolyricism for the Age of Digital Reproduction,” Geopoetics in Practice, ed. Sarah de Leeuw, Eric Magrane, Linda Russo, and Craig Santos Perez (New York: Routledge, 2020)

“Amelia Rosselli’s Disintegrated Cantons,” Exile and Creativity (New York: Centro Primo Levi, 2020)

“Chloral Lines: Toward a Feminist Pedagogy,” Urgent Possibilities: Feminist Poetics and Pedagogy (eohippus labs, 2020)

“Precarity Shared: Breathing as Tactic in Air’s Uneven Commons,” Poetics and Precarity, ed. Myung Mi Kim and Cristanne Miller (SUNY Press, 2018)

“Smelting Pot,” invited contribution for Dimensions of Citizenship: Architecture and Belonging from the Body to the Cosmos, catalog of the U.S. Pavilion for the 2018 Venice Architecture Biennale, published simultaneously on e-flux, ed. Nick Axel, Nikolaus Hirsch, Ann Lui, and Mimi Zeiger (New York and Los Angeles: Inventory Press, 2018/e-flux, May 2018)

“Phrasebook Pentecosts and Daggering Lingua Francas in the Poetry of LaTasha N. Nevada-Diggs,’” The Fate of Difficulty in the Poetry of Our Time, ed. Charles Altieri and Nicholas D. Nace (Northwestern University Press, 2017): 261-75

“Chloris in Plural Voices: Performing Translation of ‘A Moonstriking Death’,” Translation Review 95 (July 2016): 25-40

"I 0we vs. I/O," Jacket2, December 2016 "Aeolian Harping: Materiality of Poetry in the Age of Digital Reproduction & Ecoprecarity (Part 1)," & "Copper Lyres (Materiality of Poetry in the Age of Digital Reproduction & Ecoprecarity, Part 2), Harriet, May 2016

"Translation as (Re)Performance (Part 1: Moonstriking)," & "Chloris a più voci (Translation as Reperformance, Part 2), Harriet, and Huffington Post, May 2016

"Aborted Nurses: A Geopoetics, for Mother’s Day (and the formula babies)," Harriet, and Huffington Post, May 2016

"Nursing Futurism," Harriet, May 2016

“Psychogeography of the Lagoon,” Psychogeographical Romance: Three Interviews, Curated by Leonard Schwartz (Essay Press, 2015)

“Festina Lente: Invention of the Modernist Poet as Editor in the City of Aldus,” Paideuma 42 (2015): 57-84

“Cantonidisintegratidella / miavita”: Closure and Implosion of the Canto(n) in Amelia Rosselli, and the Dream (or Nightmare) of a Transnational Language,” Moderna: Semestrale di teoria e critica della letteratura 15:2 (2015): 131-56, a special issue edited by Emanuela Tandello and Chiara Carpita

"Introducing PennSound Italiana," for Jacket2 (June 2015)

"The Thick & the Slow of Knowledge," for Jacket2 (June 2015)

"Of Fishiness, Flesh, & the Radical Undead," for Boston Review (September 2014)

“Garbage Arcadia: Digging for Choruses in Fresh Kills,” for Terrain Vague: The Interstitial as Site, Concept, Intervention, ed. Patrick Barron and Manuela Mariani (Routledge, 2013): 138-62

“Xenoglossia,” for The Princeton Encyclopedia of Poetry and Poetics

“Poetics of Enormity,” with a photo dossier on the development of the performance work PARK, including a brief exchange with choreographer Kathy Westwater, Interim 1 (Fall 2011)

"Poetry, Gossip, Infrastructure," Evening Will Come/The Volta (December 2011)

“Tuning as Lyricism: Performances of Orality in the Poetics of Jerome Rothenberg and David Antin,” Critical Inquiry 37:4 (Summer 2011)

"Versus Seamlessness: Architectonics of Pseudocomplicity in Tan Lin's Ambient Poetics," boundary2 36:3 (Fall 2009), special issue on poetry after 1975, translated into Serbian at POLJA

“Accommodated, Unaccommodated Man, and Daughter:  Adapting Home in Moby-Dick and Moby Dick,” catalog essay on the work of Guy Ben-Ner for the Smart Museum’s Adaptation: Video Installations by Ben-Ner, Herrera, Sullivan, and Sussman & The Rufus Corporation (May 2008)

“Utopia Interrupted:  Archipelago as Structure in A Draft of XXX Cantos,” PMLA 122:1 (January 2007)

“‘Più mOndo i:  tUtti!’:  Traffics of Historicism in Jackson Mac Low’s Contemporary Lyricism,” Modern Philology 105:1 (August 2007)

“Bachelorettes, Even:  Strategic Embodiment in Contemporary Experimentalism by Women” (response to Jennifer Ashton), Modern Philology 105:1 (August 2007)

"One Venice After Another:  The Present Tense of the Future-Past at the 52nd Biennale," The Brooklyn Rail (July-August 2007)

“Site Surfeit: Office for Soft Architecture Makes the City Confess,” Chicago Review 51:4/52:1 (Spring 2006)

“Poetry, Intelligence, and the Temporality of Crisis,” War and Peace 2, ed. Judith Goldman and Leslie Scalapino (O Books, 2005), 56–59