POETRY
On The Republic of Exit 43
Kate Lewis Hood, “In the ‘Fissures of Infrastructure’: Poetry and Toxicity in ‘Garbage Arcadia,’” Environmental Humanities (May 2021)
Tyrone Williams, “Etymology, Ecology, and Ecopoetics,” Georgia Review (Spring 2020)
Mauricio Patrón Rivera, “Recogiendo palabras de la tierra: La geopoética de Jennifer Scappettone,” Grafógraxs: Revista de Literatura de la Universidad Autónoma del Estado de Mexico (January 2020)
Margaret Ronda, “‘Everywhere, Worlds Connect’: Realist Poetics and the Ecologies of Capitalism,” in Communism and Poetry: Writing Against Capital, ed. Ruth Jennison and Julian Murphet (Palgrave, 2019)
Joe Milutis, “3 Unbooks: DuPlessis, Scutenaire, Scappettone,” 3:AM Magazine (August 2019)
On “was no one / way went Alice,” and The Republic of Exit 43, interviewed by Al Filreis and Anna Stafford Strong for Modern American Poetry Plus, a MOOC at the University of Pennsylvania, April 2019
Joanna Mąkowska, “On refuse and ‘refusees’: Jennifer Scappettone’s Republic of Exit 43 and Mina Loy’s Bowery poems,” Ekopoetyka (January 2019)
Christopher Alexander Kostritsky Gellert, «L’Enquête littéraire collective, mécanismes de survie en milieux hostiles: Pour des littératures contextuelles et relationnelles,» PhD diss., Université Paris 8 Vincennes-Saint Denis
Iulia Militaru, "Literature As Performative Writing," and “Manifest(ation) between Literature as Censorship and the Censorship of Literature,” in Romanian and English, Revista Arta (August-December 2017)
James Yeary, Microreview of The Republic of Exit 43, Boston Review (June 2017)
Orchid Tierney, “"Menacing Archives,” A review of Jennifer Scappettone’s The Republic of Exit 43, Jacket2, April 28, 2017
Lucie Taïeb, “Politique et poésie des déchets,” Vacarme 79 (April 2017)
CA Conrad, “Reading List,” Poetry editors’ blog, April 2017; Rachel Blau DuPlessis, “Reading List,” Poetry editors’ blog, March 2017
Margaret Ronda, “‘At the Edge of What We Know’: Gender and Environment in American Poetry,” A History of Twentieth-Century American Women's Poetry (Cambridge University Press, 2016): 222-38
Daniela Daniele, “Alice in Wasteland: Exit 43 by Jennifer Scappettone, in the Transnational Environmental Crisis,” Recovery and Transgression: Memory in American Poetry, ed. Kornelia Freitag (Cambridge, UK: Cambridge Scholars Press, 2015): 313-32
On From Dame Quickly
“Jennifer Scappettone’s Writing Through the Pledge of Allegiance in ‘Delection Even,’” Max McKenna and interlocutors, for Modern Poetry Plus at the University of Pennsylvania, July 2020
Heather Milne, “Introduction: Feminist Poetics as Cultural Critique, or, Why Poetry Matters” and “Strategic Embodiment: Materiality, Proceduralism, and Biopolitics in Jennifer Scappettone’s From Dame Quickly, Margaret Christakos’s What Stirs, and Larissa Lai and Rita Wong’s Sybil unrest,” Poetry Matters: Neoliberalism, Affect, and the Posthuman in Twenty-First Century North American Feminist Poetics (U of Iowa P, 2018): 1-32 and 37-70
Tyrone Williams, “Goodbye to ‘Miss Otis Regrets’ and All That,” Jacket2 (August 2014)
Daniel Tiffany, “Cheap Signaling,” Boston Review (July 2014)
Brenda Iijima, “Metamorphic Morphology (with gushing igneous interlude) Meeting in Language,” The Eco-Language Reader, ed. Brenda Iijima (Nightboat Books, 2010)
Michael Cross, "Social Character and Social Sculpture in Judith Goldman & Jennifer Scappettone," ON Contemporary Practice 3 (Fall 2009)
Alan Ramón Clinton, review for Boog City 60 (Fall 2009)
Simone Muench, Sharkforum (2009)
SCHOLARSHIP
Rosa Mucignat, review of Killing the Moonlight for Comparative Literature 68:3 (September 2016)
Gian Maria Annovi, “Jennifer Scappettone, Venezia ovvero il presente discontinuo,” Alfabeta2, April 9, 2016
Sarah E. Cornish, “Killing the Moonlight: Modernism in Venice,” Council for European Studies, CritCom, March 10, 2016
Jim Cocola, “Letter on Venice,” n+1, April 1, 2011
TRANSLATION
Rebecca Walkowitz, “World Anglophone is a Theory,” Interventions 20:3 (2018)
Aarón Lacayo, “Nomadic Translations: (G)hosting in Amelia Rosselli’s Variazioni belliche,” Carte italiane 2:9 (2014)
Catherine Wagner and Sandra Simonds, “Women in the Avant-Garde: Rosselli & Revolutions of Content,” Lana Turner 7 (October 2014)
Andrea Cortellessa, “L’arcipelago dei poeti. O di una ‘funzione Villa,’” Alfabeta 2 (September 2014)
Gian-Maria Annovi, “Fuori dall’omicilio: Porta, Spatola, Palazzeschi, Zanzotto e Rosselli negli USA,” Alfabeta 2 (Spring 2013)
Geoffrey Brock, “A Singular Music: Translating Amelia Rosselli,” American Poet (Fall 2012)
Giulia Niccolai, “La locomozione di Amelia Rosselli,” Il verri (Fall 2012)
Barry Schwabsky, “Swallow the Meat in the Jargon,” Hyperallergic (October 28, 2012)
Peter Hainsworth, “Sisters in Suffering,” Times Literary Supplement (June 29, 2012)
Marco Giovenale, “Dialogo fra tre lingue nei testi di Amelia Rosselli,” Il manifesto (May 17, 2012); expanded text printed in Punto Critico (November, 2012)
PERFORMANCE
On SMOKEPENNY LYRICHORD HEAVENBRED in its various forms (performances with Judd Morrissey and Abraham Avnisan, and sound by Mark Booth)
Anne Karhio, “At the Brink: Electronic Literature, Technology, and the Peripheral Imagination at the Atlantic Edge,” Electronic Book Review, April 2020
Jad Dahshan, “Telephone Lines and Veins Intertwine at SAVAGENESS,” Chicago Maroon, September 2017
On PARK (with Kathy Westwater and Seung Jae-Lee)
Margaret Ronda, “‘At the Edge of What We Know’: Gender and Environment,” in A History of Twentieth-Century American Women’s Poetry, ed. Linda Kinnahan (Cambridge University Press, 2016)
Margaret Ronda, Angela Hume, and Gillian Osborne, “Learning in the ‘Expanded Field,’” Jacket2 (April 16, 2013)
Thom Donovan, “Somatic Poetics,” Jacket 2 (Fall 2011)
“E.J. McAdams in Response to Kathy Westwater’s PARK,” Movement Research: Critical Correspondence (September 2010)
John Keene, “PARK @ Freshkills Park,” J’s Theater (June 2010)
Thom Donovan, “World Remaking in Kathy Westwater’s PARK,” The Brooklyn Rail (March 2010)
On The Data That We Breathe (presentation with Judd Morrissey and Caroline Bergvall)
Mashinka Firunts, “Off the Page: Staging Poetic Language at IN>TIME,” Art in America, February 2016
Kate Morris, “Considering Collaboration,” fnewsmagazine, March 2016
OTHER CRITICAL ENGAGEMENT
William Rose, “Geoheritage and the Arts: Building Awareness Using the Keweenaw Mines,” North-Central Section meeting of the Geologic Society of America, Duluth, Minnesota, May 2020
Jordan Chestnut, “We Hurled Our Solitudes Together: Cyber-Identity, Allyship, and Political Rhetoric in Contemporary Media, The Adroit Journal, April 2020, parts 1 and 3
Paul Soulellis, “Day 40: Quarantena: Commoning in the Crisis,” Otis School of Art and Design, April 2020: https://soulellis.com/writing/urgentcraft2/
Kaye Mitchell, “Introduction: The Gender Politics of Experiment,” Contemporary Women’s Writing 9, no. 1 (March 2015): 1-15
Laci Mattison, “Modernist Projects in the Making,” in Teaching Modernist Anglophone Literature (Brill, 2018)
Barbara Berman, “Logic and Lack of Logic: Best American Experimental Writing 2016,” The Rumpus, February 23, 2018
Samuel Otter, addressing “Of the Monitor’s Fight,” “All Astir,” Leviathan 13, no. 1 (March 2011): 119-23
Gherardo Bortolotti, “La scoperta dell’America,” slowforward, September 19, 2007
Marco Giovenale, various blog posts at http://gammm.org/