NURSING FUTURISM
NURSING FUTURISM

My last post for Harriet, “Nursing Futurism,” reads the figure of the nurse as a confessional supplement to the manifestos of Futurism, and presents some nurses of hope in the form of Daria Faïn and Robert Kocik’s Commons Choir, and Pepe Rojo’s Tijuana Liberation Front.

COPPER LYRES
COPPER LYRES

“Copper Lyres (Materiality of Poetry in the Age of Digital Reproduction & Ecoprecarity, Part 2)” continues my assault of musings surrounding the material substrate of the internet, honing in on copper, from exploitation to salvage, at Harriet. “We set out to build, as the alarm of the obsolescing networked age, of the house and the […]

MATERIALITY OF POETRY IN THE AGE OF DIGITAL REPRODUCTION
MATERIALITY OF POETRY IN THE AGE OF DIGITAL REPRODUCTION

My fourth text for Harriet: The Blog, “Aeolian Harping: Materiality of Poetry in the Age of Digital Reproduction & Ecoprecarity,” is the beginning of a new project on rethinking the supposed dematerialization of the art object, and the supposed greenness of our current communicative channels: “What species of political and ethical complicity must we reckon […]

CHLORIS IN MORE VOICES
CHLORIS IN MORE VOICES

My third blog post for the Poetry Foundation’s Harriet is a continuation of the second: it thinks through Amelia Rosselli’s imagination of the nymph Chloris, and the ramifications of treating Chloris, represented by both Botticelli and Rosselli in choked polyphony, as a figure of translation. “Translating, and retranslating, Rosselli’s late distressed pastoral over the years […]

TRANSLATION AS (RE)PERFORMANCE
TRANSLATION AS (RE)PERFORMANCE

My second post for Harriet: The Blog thinks through what it would mean to consider the performance of an original and translated text as a fundamental part of the act of translation. “Performance plunges us concretely into translation’s uncommon temporality as we strive to body forth the the cognitive and musical pulse of a text […]

ABORTED NURSES: A GEOPOETICS
ABORTED NURSES: A GEOPOETICS

My Harriet post for Mother’s Day and the formula babies has been published on the Poetry Foundation’s website after a slight delay. Find it here, the first installment of a series of occasional writings for the month of May.

A GLASS VENEZIANELLA
A GLASS VENEZIANELLA

Last gasps of Futurism revisited by way of more translation of Venezianella e Studentaccio, Marinetti’s 1943-44 “aeronovel or aeropoem” that envisions the resurrection of Venice as a female colossus of blown glass: stylistically speaking, a cross between homage to the cosmopolitan anachronism of the city of lagoons and a blown-out pastiche of Fascism’s would-be colonial […]

“ADVANCED””POETRY””WRITING”
"ADVANCED""POETRY""WRITING"

A workshop designed by Jennifer Scappettone at the University of Chicago, Spring 2016 In this course, we will examine a range of formal, theoretical, and sociopolitical currents in contemporary poetry as a means of provoking and informing our own creative work. The class will provide a laboratory for new creative tactics, not simply a revision […]

IL PRESENTE DISCONTINUO/THE DISCONTINUOUS PRESENT
IL PRESENTE DISCONTINUO/THE DISCONTINUOUS PRESENT

Gian Maria Annovi has written a beautiful review of Killing the Moonlight for alfabeta2. I’m grateful for his identification of a geopoetics of infrastructural inquiry/empathy that I’ve been working on, methodologically speaking, & not without interference, for the past decade or so. In Killing the Moonlight: Modernism in Venice,…, Jennifer Scappettone sembra riprodurre nella scrittura […]

AEOLIAN HARPING
AEOLIAN HARPING

This is coming up, & it seems apt that it’ll be snowing in Buffalo whereas it was gorgeous in LA: a conversation on Landscapes, Mappings, Networks: Digital/Material Crossings: with Stephen Voyce & Adelaide Morris, Jen Scappettone, Heriberto Yepez, Mark Wallace at Poetics: (The Next) 25 Years. My 2 pennies: “Copper Lyres and Aeolian Harping of […]

BREATH’S COMPASS

I’m thrilled to be giving the keynote address for “The Poetics of Place: Performing Selves In and Beyond Cities,” the 13th Annual English Studies Graduate Student Conference at the Université de Montréal on March 10-11, 2016. The event aims to explore the poetics of (non)urban spaces and the ways in which the city serves as […]

BREATH’S COMPASS

I’m thrilled to be giving the keynote address for “The Poetics of Place: Performing Selves In and Beyond Cities,” the 13th Annual English Studies Graduate Student Conference at the Université de Montréal on March 10-11, 2016. The event aims to explore the poetics of (non)urban spaces and the ways in which the city serves as […]


OIKOST