My Atelos book of poems and poem-like materials surrounding the corporate dump is now officially available here, thanks to the essential people of Small Press Distribution. The acknowledgments are epic given that these pollutant scores passed through the hands, bodies, and voices of many friends—but I want to give a special shout-out to Lyn Hejinian […]
“From time to time instances will arise in which the society, or segments of it, threaten the very mission of the university and its values of free inquiry. In such a crisis, it becomes the obligation of the university as an institution to oppose such measures and actively to defend its interests and its values.” […]
Sunday, November 20, from 8:30-10 am, in the Arcadia room at the Westin Pasadena, we will be holding this panel I’ve put together for the Modernist Studies Association with cherished friends and colleagues. I’ve changed my presentation to confront conditions & will be talking about the air of the polis & breathing as a political […]
Despite all former appearances to the contrary, the upcoming seminar organized by Franco Baldasso and Sara Marzioli seems more pertinent than ever. Join us at the Modernist Studies Association Annual Conference in Pasadena: Saturday, November 19, 1:30-3:30 pm, La Canada Room, Westin Pasadena. In 2010 the Guggenheim Museum in New York inaugurated Chaos and Classicism: […]
The Data That We Breathe Multi-Disciplinary Performances and Discussion Thursday, November 10, 2016 6-8 pm, Gray Center Lab, 929 E. 60th St., Suite 112 Chicago As the culmination of their Mellon Fellowship for Arts Practice & Scholarship, Caroline Bergvall (London-based artist, writer and performer), Judd Morrissey (writer, code artist and professor, School of the Art […]
See the project page at The Gray Center for Arts and Inquiry. Caroline Bergvall (London-based artist, writer and performer), Judd Morrissey (writer, code artist and professor, School of the Art Institute of Chicago), and Jennifer Scappettone (cross-disciplinary writer, scholar and professor, English and Committee on Creative Writing, University of Chicago) launch a series of experiments into the […]
Thanks to Rosa Mucignat of Kings College for this thorough and astute review of Killing the Moonlight in Comparative Literature: “Killing the Moonlight is a brilliant fusion of literature, art, architecture, politics, and history that challenges and rewards the reader with its voracious and wide-ranging scope. Scappettone’s re-positioning of modernism in Venice enriches our understanding […]
The Written Arts Program, Italian Studies Program, and Division of Languages and Literature of Bard College present Venice by Electric Moonlight by Jennifer Scappettone, University of Chicago Tuesday, October 18, 2016 and a reading from her new book of poetry, The Republic of Exit 43, and translations Wednesday, October 19, 2016 http://www.bard.edu/inside/calendar/event/?eid=131377
im studio mi/la invites you to: COPPER LYRES What material ecologies are we tapping into when we commit the apparently ethereal acts of streaming a how-to video or uploading broadcasts of banal and precious moments to the cloud? If we could strip away the walls sheltering us and the casings of our devices, we […]
July 16, 2016: a lecture for the Virginia Woolf Society at Seikei University in Tokyo on visual poetry and the dream, or nightmare, of a transnational language 日本ヴァージニア・ウルフ協会７月例会のご案内 梅雨に入り暑さも増してきましたが、みなさま方におかれましては、健やかにお過ごしのことと拝察いたします。さて、事務局から７月例会のご案内を差し上げます。今回は、米国はシカゴ大学から新進気鋭のモダニズムの研究者がゲスト出演され、また協会の研究を牽引してきたヴェテラン大田信良先生がお話をされます。例会終了後の懇親会にもぜひいらしてください。 日時：2016年７月16日午後3時から6時半 場所：成蹊大学10号館2階大会議 司会：中井亜佐子（一橋大学） Jennifer Scappettone (Associate Professor of English, Creative Writing, and Romance Languages and Literatures at the University of Chicago) “Between Pentecost and Babel: Wireless […]
I’m thrilled to be giving a lecture on Venice in another archipelago, one inhabited a couple of decades back—at Hitotsubashi University, hosted by Professor Mayumo Inoue, with respondents Ryosuke Yamazaki and Akiko Ichikawa. July 14, 2016, a Thursday, in the afternoon.
My last post for Harriet, “Nursing Futurism,” reads the figure of the nurse as a confessional supplement to the manifestos of Futurism, and presents some nurses of hope in the form of Daria Faïn and Robert Kocik’s Commons Choir, and Pepe Rojo’s Tijuana Liberation Front.