traduction
REMEMBERING DEREK WALCOTT
REMEMBERING DEREK WALCOTT

My chest sinks to hear that Derek Walcott is lost to us. In 2011, I was lucky enough to live alongside him and to interview him for Il manifesto. Here is another fragment from that interview, which was never published in its entirety, or in English: Scappettone: You’ve been working with theatrical forms for over […]

SEGUE SERIES AT ZINC BAR
SEGUE SERIES AT ZINC BAR

Dear New York, o toxic cradle and longlost: I am coming to read in you this Saturday from my new book, The Republic of Exit 43. Dearest New Yorkers [who will not be at AWP]: please join me and Maryam Monalisa Gharavi at 82 West 3rd Street, NY NY for red curtains and harsh words […]

BABEL AFTER FASCISM
BABEL AFTER FASCISM

Though that preposition may no longer hold—at Rutgers, I’ll be presenting a draft from a book project in progress, From Babel to Pentecost: Wireless Imaginations in Postwar Literary Arts and the Dream (or Nightmare) of a Transnational Language. The piece being presented is titled “To Whistle in the Fasces of Uniform Graphemes: Babel After Fascism.” […]

TRANSNATIONAL/TRANSLATIONAL POETICS
TRANSNATIONAL/TRANSLATIONAL POETICS

At Rutgers, New Brunswick: Please join us tomorrow for a workshop and discussion of the poetics and politics of translating poetry lacking a mother tongue! Workshop on Poetics and Translation with Jennifer Scappettone, U of Chicago Thu, Feb 9, 3-5 pm CCA Seminar Room, 15 Seminary Place, Fifth Floor Co-sponsored by Comparative Literature  

THE REPUBLIC OF EXIT 43
THE REPUBLIC OF EXIT 43

My Atelos book of poems and poem-like materials surrounding the corporate dump is now officially available here, thanks to the essential people of Small Press Distribution. The acknowledgments are epic given that these pollutant scores passed through the hands, bodies, and voices of many friends—but I want to give a special shout-out to Lyn Hejinian […]

DATA WE BREATHE @ GRAY CENTER LAB
DATA WE BREATHE @ GRAY CENTER LAB

The Data That We Breathe Multi-Disciplinary Performances and Discussion Thursday, November 10, 2016 6-8 pm, Gray Center Lab, 929 E. 60th St., Suite 112 Chicago As the culmination of their Mellon Fellowship for Arts Practice & Scholarship, Caroline Bergvall (London-based artist, writer and performer), Judd Morrissey (writer, code artist and professor, School of the Art […]

COPPER LYRING
COPPER LYRING

im studio mi/la invites you to:   COPPER LYRES What material ecologies are we tapping into when we commit the apparently ethereal acts of streaming a how-to video or uploading broadcasts of banal and precious moments to the cloud? If we could strip away the walls sheltering us and the casings of our devices, we […]

VENICE IN TOKYO
VENICE IN TOKYO

I’m thrilled to be giving a lecture on Venice in another archipelago, one inhabited a couple of decades back—at Hitotsubashi University, hosted by Professor Mayumo Inoue, with respondents Ryosuke Yamazaki and Akiko Ichikawa. July 14, 2016, a Thursday, in the afternoon.

COPPER LYRES
COPPER LYRES

“Copper Lyres (Materiality of Poetry in the Age of Digital Reproduction & Ecoprecarity, Part 2)” continues my assault of musings surrounding the material substrate of the internet, honing in on copper, from exploitation to salvage, at Harriet. “We set out to build, as the alarm of the obsolescing networked age, of the house and the […]

MATERIALITY OF POETRY IN THE AGE OF DIGITAL REPRODUCTION
MATERIALITY OF POETRY IN THE AGE OF DIGITAL REPRODUCTION

My fourth text for Harriet: The Blog, “Aeolian Harping: Materiality of Poetry in the Age of Digital Reproduction & Ecoprecarity,” is the beginning of a new project on rethinking the supposed dematerialization of the art object, and the supposed greenness of our current communicative channels: “What species of political and ethical complicity must we reckon […]

CHLORIS IN MORE VOICES
CHLORIS IN MORE VOICES

My third blog post for the Poetry Foundation’s Harriet is a continuation of the second: it thinks through Amelia Rosselli’s imagination of the nymph Chloris, and the ramifications of treating Chloris, represented by both Botticelli and Rosselli in choked polyphony, as a figure of translation. “Translating, and retranslating, Rosselli’s late distressed pastoral over the years […]

TRANSLATION AS (RE)PERFORMANCE
TRANSLATION AS (RE)PERFORMANCE

My second post for Harriet: The Blog thinks through what it would mean to consider the performance of an original and translated text as a fundamental part of the act of translation. “Performance plunges us concretely into translation’s uncommon temporality as we strive to body forth the the cognitive and musical pulse of a text […]

A GLASS VENEZIANELLA
A GLASS VENEZIANELLA

Last gasps of Futurism revisited by way of more translation of Venezianella e Studentaccio, Marinetti’s 1943-44 “aeronovel or aeropoem” that envisions the resurrection of Venice as a female colossus of blown glass: stylistically speaking, a cross between homage to the cosmopolitan anachronism of the city of lagoons and a blown-out pastiche of Fascism’s would-be colonial […]

“ADVANCED””POETRY””WRITING”
"ADVANCED""POETRY""WRITING"

A workshop designed by Jennifer Scappettone at the University of Chicago, Spring 2016 In this course, we will examine a range of formal, theoretical, and sociopolitical currents in contemporary poetry as a means of provoking and informing our own creative work. The class will provide a laboratory for new creative tactics, not simply a revision […]

AEOLIAN HARPING
AEOLIAN HARPING

This is coming up, & it seems apt that it’ll be snowing in Buffalo whereas it was gorgeous in LA: a conversation on Landscapes, Mappings, Networks: Digital/Material Crossings: with Stephen Voyce & Adelaide Morris, Jen Scappettone, Heriberto Yepez, Mark Wallace at Poetics: (The Next) 25 Years. My 2 pennies: “Copper Lyres and Aeolian Harping of […]

BREATH’S COMPASS
BREATH'S COMPASS

I’m thrilled to be giving the keynote address for “The Poetics of Place: Performing Selves In and Beyond Cities,” the 13th Annual English Studies Graduate Student Conference at the Université de Montréal on March 10-11, 2016. The event aims to explore the poetics of (non)urban spaces and the ways in which the city serves as […]

DATA WE BREATHE (in progress): SUNDAY @ 6018 NORTH
DATA WE BREATHE (in progress): SUNDAY @ 6018 NORTH

Data We Breathe (a work in progress) Caroline Bergvall, Judd Morrissey, and Jennifer Scappettone, with special guest cris cheek 6018 | North 6018 North Kenmore Ave. Sunday, February 28th, 2016, 6pm http://www.in-time-performance.org/data-we-breathe-salon/ http://www.6018north.org/current-upcoming-projects/#/http/wwwin-time-performanceorg/data-we-breathe-salon/ In this in-progress presentation of The Data That We Breathe at the stripped housing of 6018 North, Caroline Bergvall, Judd Morrissey, Jennifer […]

LAGUNA AS ARCHIVE IN MAKE MAG
LAGUNA AS ARCHIVE IN MAKE MAG

Nathanaël and I are writing together about lagoons and/as archives—that “each book occupies, for me, the place of a memory loss….” makes for the initial traces of that conversation, here and in the print version of MAKE Magazine #16:

PSYCHOGEOGRAPHICAL ROMANCE
PSYCHOGEOGRAPHICAL ROMANCE

Psychogeographical Romance: 3 Interviews is now out from the phenomenal Essay Press as a free pdf chapbook, curated by Leonard Schwartz of Cross-Cultural Poetics. With Yolanda Castaño on the psychogeography of the highway, Magdalena Edwards and Forrest Gander on the psychogeography of the disappeared in Raúl Zurita, and yours truly on the psychogeography of the […]

THE DATA THAT WE BREATHE
THE DATA THAT WE BREATHE

I’m excited to announce that I’ll be sharing a Mellon Fellowship in Arts and Inquiry with the extraordinary multifaceted artists Caroline Bergvall and Judd Morrissey in 2016. We will be in residence at the Gray Center for Arts and Inquiry to begin a project called The Data That We Breathe: Caroline Bergvall (London-based artist, writer […]

SCHLUTER / SCAPPETTONE / NATHANAËL
SCHLUTER / SCAPPETTONE / NATHANAËL

Nathanaël, Jen Scappettone, and Kit Schluter will be reading at Sector 2337 on Friday, October 23, from 7-9 pm, in Chicago. Doors open at 6:30 pm. This event is free. Sector 2337 is located on 2337 N Milwaukee Ave., Chicago IL 60647 | 773 – 687 – 8481 | Gallery Hours: Wed – Sat: 2 […]

UNA VETRINA, ROME
UNA VETRINA, ROME

Amici e Romani! Friends & Romans! A piece I made in cutting homage to Melville’s Battle-Pieces and his fascination with Piranesi, titled “of the Monitor’s Fight,” is now installed in “Una Vetrina” storefront gallery, off the Via Giulia near San Giovanni dei Fiorentini. Come out to see it—it’s visible 24/7 for the coming week. Ho […]

WUHO INSTITUTE OPEN LABS: FINISSAGE
WUHO INSTITUTE OPEN LABS: FINISSAGE

For the summer of 2015, the WUHO Gallery on Hollywood Boulevard has been transformed by the Institute into an open laboratory. Work on emerging spatial environments has generated salons, workshops, performances, and rituals by residents, rogue scientists, and radical philologists. See the outcomes and their byproducts on the last night of Open Laboratories: The Grand […]

DESCRIPTION OF THE WORLD, TURIN
DESCRIPTION OF THE WORLD, TURIN

Descrizione del mondo/Description of the World: This collective installation (in Turin this summer and online) was an untimely provocation in the Nietzschean sense of the Unzeitgemässe. We were asked by curator/editor Andrea Inglese to submit three pieces: one page of a book, one manual intervention on a piece of paper, one photographic image. I made […]


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