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TRANSNATIONAL/TRANSLATIONAL POETICS
TRANSNATIONAL/TRANSLATIONAL POETICS

At Rutgers, New Brunswick: Please join us tomorrow for a workshop and discussion of the poetics and politics of translating poetry lacking a mother tongue! Workshop on Poetics and Translation with Jennifer Scappettone, U of Chicago Thu, Feb 9, 3-5 pm CCA Seminar Room, 15 Seminary Place, Fifth Floor Co-sponsored by Comparative Literature  

IL PRESENTE DISCONTINUO/THE DISCONTINUOUS PRESENT
IL PRESENTE DISCONTINUO/THE DISCONTINUOUS PRESENT

Gian Maria Annovi has written a beautiful review of Killing the Moonlight for alfabeta2. I’m grateful for his identification of a geopoetics of infrastructural inquiry/empathy that I’ve been working on, methodologically speaking, & not without interference, for the past decade or so. In Killing the Moonlight: Modernism in Venice,…, Jennifer Scappettone sembra riprodurre nella scrittura […]

BEING EMBEDDED: TRANSLATION @ ASYMPTOTE
BEING EMBEDDED: TRANSLATION @ ASYMPTOTE

“Translation obliges that you be embedded, digging your way out of the enemy logic word by word.” Temporarily virtual friends: I spoke at Asymptote with Alexis Almeida of my various projects across poetry, research, and translation; naturally we began with Amelia Rosselli. Have a look here: Amici temporaneamente virtuali: ho parlato qui su Asymptote Journal […]

LAGUNA AS ARCHIVE IN MAKE MAG
LAGUNA AS ARCHIVE IN MAKE MAG

Nathanaël and I are writing together about lagoons and/as archives—that “each book occupies, for me, the place of a memory loss….” makes for the initial traces of that conversation, here and in the print version of MAKE Magazine #16:

QUADRATI, CANTONI, CANTONATE / SQUARES, CANTONS, CORNERS
QUADRATI, CANTONI, CANTONATE / SQUARES, CANTONS, CORNERS

Un nuovo fascicolo dedicato alla poesia di Amelia Rosselli / A new dossier dedicated to the poetry of Amelia Rosselli: @ MODERNA, curato da / edited by Emmanuela Tandello and Chiara Carpita Il mio intervento s’intitola “‘Cantonidisintegratidella / miavita’: Closure and Implosion of the Canto(n) in Amelia Rosselli, and the Dream (or Nightmare) of a […]

ANOTHER LITERARY HISTORY
ANOTHER LITERARY HISTORY

“She was also reading writings of the Black Power movement; she was entirely tuned in to what was happening in the US. Her work is a part of American literary history, despite the fact that most people don’t know it.” My live conversation of November 2012 with Alessandro Cassin of the Primo Levi Center on […]

FROM CORPSE TO SPECTER
FROM CORPSE TO SPECTER

On Wednesday, April 22, at 5:30 pm, I will be talking about Venice as an antagonist & emblem of modernity at Brown University. Very much looking forward to meeting up with the lively community in Italian studies, English, comparative literature, and gender studies there.

KILLING THE MOONLIGHT IN CHICAGO
KILLING THE MOONLIGHT IN CHICAGO

        Please join me for a discussion of Killing the Moonlight: Modernism in Venice, which is hot off the presses from Columbia University Press, with the remarkable scholars of modernism Maud Ellmann and Rebecca West. The event will take place at Chicago’s legendary Seminary Co-op Bookstore this Monday, 11/10/14, at 6 pm. I’ll […]

HEART THAT IS REBEL IN ME: ROSSELLI @ BAY AREA PUBLIC SCHOOL
HEART THAT IS REBEL IN ME: ROSSELLI @ BAY AREA PUBLIC SCHOOL

“Lo sdrucciolo cuore che in me è ribelle/The proparoxytone heart that is rebel in me”: Poetry and Poetics of Amelia Rosselli (Paris 1930—Rome 1996) Led by Jennifer Scappettone, moderated by Brandon Brown as part of the Great Companions Series Sunday, September 21, 2014 at 7 pm The Omni 4799 Shattuck Ave, Oakland, California This class […]

PASSWORDS: ROSSELLI AT POETS HOUSE
PASSWORDS: ROSSELLI AT POETS HOUSE

Passwords: Jennifer Scappettone on Amelia Rosselli Poets House, New York City April 25, 2013 – 7:00PM Kray Hall $10, $7 for students and seniors, free to Poets House Members Poet, translator and scholar Jennifer Scappettone discusses the work of the Italian poet and musicologist Amelia Rosselli (1930-1996) — whose first book was introduced by Pier […]

“WHERE THE I IS THE PUBLIC”: LOCOMOTRIX AT NYU
"WHERE THE I IS THE PUBLIC": LOCOMOTRIX AT NYU

Book Presentation and Panel Discussion: “Where the I is the Public”: Amelia Rosselli in Translation New York University, Casa Italiana Zerilli-Marimò 24 West 12th Street New York, NY 10011 Thursday, 5 April, 6:30 pm A musician, musicologist, and self-defined “poet of research,” Amelia Rosselli (Paris 1930– Rome 1996) was one of the most important poets […]

CAKE PARTS
CAKE PARTS

For the full experience of Stacy Doris’s The Cake Part, “an eruption of all the repressed joy and terror of that 18th century revolution, back into our time, into the 21st century” reissued by Publication Studio this year, go here. “Set in the typography of Web 2.0, the design of this book searches for the modern day equivalents of […]

ANIMATE STATUARY
ANIMATE STATUARY

At the Villa Medici: from Paris to the Pincio, perfect coherence of voluptuousness in stone embraced otherwise, alive.

SOFT VORTICISM
SOFT VORTICISM

Worth the sweltering heat of stone discharged from the arbors of the living, amplifying the rise and fall of expectations to locate any trace of memory of the fratelli Rosselli in this their first burial site: a stone’s throw from Toklas and Stein, a porquoi become genital and mouth of Jacob Epstein’s direct carving softened, […]

DOUBLE CHANGE
DOUBLE CHANGE

Palmer/Cole/Inglese/Poitrasson/Scappettone, a reading packed even of a sunny Sunday afternoon to the gills of listening, mint green disc cookies as icing.

COLLABORATION BY HAND
COLLABORATION BY HAND

Michael Palmer, author of the sacra conversazione, reading from collaborative notebook scrawl with Liliane Giraudon in the city as garden.


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