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CL REVIEWS KILLING THE MOONLIGHT
CL REVIEWS KILLING THE MOONLIGHT

Thanks to Rosa Mucignat of Kings College for this thorough and astute review of Killing the Moonlight in Comparative Literature: “Killing the Moonlight is a brilliant fusion of literature, art, architecture, politics, and history that challenges and rewards the reader with its voracious and wide-ranging scope. Scappettone’s re-positioning of modernism in Venice enriches our understanding […]

COPPER LYRING
COPPER LYRING

im studio mi/la invites you to:   COPPER LYRES What material ecologies are we tapping into when we commit the apparently ethereal acts of streaming a how-to video or uploading broadcasts of banal and precious moments to the cloud? If we could strip away the walls sheltering us and the casings of our devices, we […]

CONCRETE POETRY AT THE WOOLF SOCIETY
CONCRETE POETRY AT THE WOOLF SOCIETY

July 16, 2016: a lecture for the Virginia Woolf Society at Seikei University in Tokyo on visual poetry and the dream, or nightmare, of a transnational language 日本ヴァージニア・ウルフ協会7月例会のご案内 梅雨に入り暑さも増してきましたが、みなさま方におかれましては、健やかにお過ごしのことと拝察いたします。さて、事務局から7月例会のご案内を差し上げます。今回は、米国はシカゴ大学から新進気鋭のモダニズムの研究者がゲスト出演され、また協会の研究を牽引してきたヴェテラン大田信良先生がお話をされます。例会終了後の懇親会にもぜひいらしてください。 日時:2016年7月16日午後3時から6時半 場所:成蹊大学10号館2階大会議 司会:中井亜佐子(一橋大学) Jennifer Scappettone (Associate Professor of English, Creative Writing, and Romance Languages and Literatures at the University of Chicago) “Between Pentecost and Babel: Wireless […]

VENICE IN TOKYO
VENICE IN TOKYO

I’m thrilled to be giving a lecture on Venice in another archipelago, one inhabited a couple of decades back—at Hitotsubashi University, hosted by Professor Mayumo Inoue, with respondents Ryosuke Yamazaki and Akiko Ichikawa. July 14, 2016, a Thursday, in the afternoon.

NURSING FUTURISM
NURSING FUTURISM

My last post for Harriet, “Nursing Futurism,” reads the figure of the nurse as a confessional supplement to the manifestos of Futurism, and presents some nurses of hope in the form of Daria Faïn and Robert Kocik’s Commons Choir, and Pepe Rojo’s Tijuana Liberation Front.

COPPER LYRES
COPPER LYRES

“Copper Lyres (Materiality of Poetry in the Age of Digital Reproduction & Ecoprecarity, Part 2)” continues my assault of musings surrounding the material substrate of the internet, honing in on copper, from exploitation to salvage, at Harriet. “We set out to build, as the alarm of the obsolescing networked age, of the house and the […]

MATERIALITY OF POETRY IN THE AGE OF DIGITAL REPRODUCTION
MATERIALITY OF POETRY IN THE AGE OF DIGITAL REPRODUCTION

My fourth text for Harriet: The Blog, “Aeolian Harping: Materiality of Poetry in the Age of Digital Reproduction & Ecoprecarity,” is the beginning of a new project on rethinking the supposed dematerialization of the art object, and the supposed greenness of our current communicative channels: “What species of political and ethical complicity must we reckon […]

TRANSLATION AS (RE)PERFORMANCE
TRANSLATION AS (RE)PERFORMANCE

My second post for Harriet: The Blog thinks through what it would mean to consider the performance of an original and translated text as a fundamental part of the act of translation. “Performance plunges us concretely into translation’s uncommon temporality as we strive to body forth the the cognitive and musical pulse of a text […]

ABORTED NURSES: A GEOPOETICS
ABORTED NURSES: A GEOPOETICS

My Harriet post for Mother’s Day and the formula babies has been published on the Poetry Foundation’s website after a slight delay. Find it here, the first installment of a series of occasional writings for the month of May.

A GLASS VENEZIANELLA
A GLASS VENEZIANELLA

Last gasps of Futurism revisited by way of more translation of Venezianella e Studentaccio, Marinetti’s 1943-44 “aeronovel or aeropoem” that envisions the resurrection of Venice as a female colossus of blown glass: stylistically speaking, a cross between homage to the cosmopolitan anachronism of the city of lagoons and a blown-out pastiche of Fascism’s would-be colonial […]

IL PRESENTE DISCONTINUO/THE DISCONTINUOUS PRESENT
IL PRESENTE DISCONTINUO/THE DISCONTINUOUS PRESENT

Gian Maria Annovi has written a beautiful review of Killing the Moonlight for alfabeta2. I’m grateful for his identification of a geopoetics of infrastructural inquiry/empathy that I’ve been working on, methodologically speaking, & not without interference, for the past decade or so. In Killing the Moonlight: Modernism in Venice,…, Jennifer Scappettone sembra riprodurre nella scrittura […]

AEOLIAN HARPING
AEOLIAN HARPING

This is coming up, & it seems apt that it’ll be snowing in Buffalo whereas it was gorgeous in LA: a conversation on Landscapes, Mappings, Networks: Digital/Material Crossings: with Stephen Voyce & Adelaide Morris, Jen Scappettone, Heriberto Yepez, Mark Wallace at Poetics: (The Next) 25 Years. My 2 pennies: “Copper Lyres and Aeolian Harping of […]

BREATH’S COMPASS
BREATH'S COMPASS

I’m thrilled to be giving the keynote address for “The Poetics of Place: Performing Selves In and Beyond Cities,” the 13th Annual English Studies Graduate Student Conference at the Université de Montréal on March 10-11, 2016. The event aims to explore the poetics of (non)urban spaces and the ways in which the city serves as […]

DATA WE BREATHE (in progress): SUNDAY @ 6018 NORTH
DATA WE BREATHE (in progress): SUNDAY @ 6018 NORTH

Data We Breathe (a work in progress) Caroline Bergvall, Judd Morrissey, and Jennifer Scappettone, with special guest cris cheek 6018 | North 6018 North Kenmore Ave. Sunday, February 28th, 2016, 6pm http://www.in-time-performance.org/data-we-breathe-salon/ http://www.6018north.org/current-upcoming-projects/#/http/wwwin-time-performanceorg/data-we-breathe-salon/ In this in-progress presentation of The Data That We Breathe at the stripped housing of 6018 North, Caroline Bergvall, Judd Morrissey, Jennifer […]

IRONY OF MARGINALITY: ROSSELLI @ OXFORD U
IRONY OF MARGINALITY: ROSSELLI @ OXFORD U

I’m thrilled to be joining Emanuela Tandello, Chiara Carpita, Maria Borio, Gian Maria Annovi, Daniela La Penna and Lucia Re this Friday, February 26, in discussion about “the irony of otherness and marginality” in Amelia Rosselli’s poetry. I’ll be presenting recent work on the event of performance and/as translation: “Chloris in Plural Voices: Performing Translation […]

POETICS OF BREATH @ GRAY CENTER
POETICS OF BREATH @ GRAY CENTER

Wed, Jan 27, 2016 7:00pm – 9:00pm Caroline Bergvall, Judd Morrissey, Jennifer Scappettone: readings and talks toward a collaborative poetics of breath Gray Center Lab in Midway Studios, 929 E. 60th St., Chicago Mellon Fellows Caroline Bergvall (London-based artist, writer and performer), Judd Morrissey (writer, code artist and professor, School of the Art Institute of […]

BEING EMBEDDED: TRANSLATION @ ASYMPTOTE
BEING EMBEDDED: TRANSLATION @ ASYMPTOTE

“Translation obliges that you be embedded, digging your way out of the enemy logic word by word.” Temporarily virtual friends: I spoke at Asymptote with Alexis Almeida of my various projects across poetry, research, and translation; naturally we began with Amelia Rosselli. Have a look here: Amici temporaneamente virtuali: ho parlato qui su Asymptote Journal […]

LAGUNA AS ARCHIVE IN MAKE MAG
LAGUNA AS ARCHIVE IN MAKE MAG

Nathanaël and I are writing together about lagoons and/as archives—that “each book occupies, for me, the place of a memory loss….” makes for the initial traces of that conversation, here and in the print version of MAKE Magazine #16:

HYPERTEXTUAL CITY
HYPERTEXTUAL CITY

I’ll be talking about “Pinocchio, Unbuilt: The Hypertextual Venice of Robert Coover” (and a smidgeon of Judd Morrissey’s RC_AI in homage to the latter) tomorrow at Fiction/Nonfiction: The Uses and Truths of Literature, a conference organized by Alison James and Luc Lang at the University of Chicago (Logan Center for the Arts, 802). Free & […]

THE DATA THAT WE BREATHE
THE DATA THAT WE BREATHE

I’m excited to announce that I’ll be sharing a Mellon Fellowship in Arts and Inquiry with the extraordinary multifaceted artists Caroline Bergvall and Judd Morrissey in 2016. We will be in residence at the Gray Center for Arts and Inquiry to begin a project called The Data That We Breathe: Caroline Bergvall (London-based artist, writer […]

GUSH, TOUCHSTONE: VENICE
GUSH, TOUCHSTONE: VENICE

On November 9 at noon, at Penn State (in 102 Kern), I’ll be giving a talk titled “From Corpse to Specter: Venice as Antagonist and Emblem of Modernity.” There will be lunch! When in 1910, F.T. Marinetti and comrades airbombed crowds with 800,000 copies of the Futurist manifesto “Against Passéist Venice” from the Clock Tower […]

UNA VETRINA, ROME
UNA VETRINA, ROME

Amici e Romani! Friends & Romans! A piece I made in cutting homage to Melville’s Battle-Pieces and his fascination with Piranesi, titled “of the Monitor’s Fight,” is now installed in “Una Vetrina” storefront gallery, off the Via Giulia near San Giovanni dei Fiorentini. Come out to see it—it’s visible 24/7 for the coming week. Ho […]

WUHO INSTITUTE OPEN LABS: FINISSAGE
WUHO INSTITUTE OPEN LABS: FINISSAGE

For the summer of 2015, the WUHO Gallery on Hollywood Boulevard has been transformed by the Institute into an open laboratory. Work on emerging spatial environments has generated salons, workshops, performances, and rituals by residents, rogue scientists, and radical philologists. See the outcomes and their byproducts on the last night of Open Laboratories: The Grand […]

DESCRIPTION OF THE WORLD, TURIN
DESCRIPTION OF THE WORLD, TURIN

Descrizione del mondo/Description of the World: This collective installation (in Turin this summer and online) was an untimely provocation in the Nietzschean sense of the Unzeitgemässe. We were asked by curator/editor Andrea Inglese to submit three pieces: one page of a book, one manual intervention on a piece of paper, one photographic image. I made […]


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