Many thanks to Katherine Duckworth, whom I’ve never met, for singling out The Republic of Exit 43 among the teeming volumes of February as a Small Press Distribution Staff Pick. Only 3 more days to snatch this and all other recommended February titles up at 20% off with the code SPDPICKS….Click here: The Republic of […]
Dear New York, o toxic cradle and longlost: I am coming to read in you this Saturday from my new book, The Republic of Exit 43. Dearest New Yorkers [who will not be at AWP]: please join me and Maryam Monalisa Gharavi at 82 West 3rd Street, NY NY for red curtains and harsh words […]
My Atelos book of poems and poem-like materials surrounding the corporate dump is now officially available here, thanks to the essential people of Small Press Distribution. The acknowledgments are epic given that these pollutant scores passed through the hands, bodies, and voices of many friends—but I want to give a special shout-out to Lyn Hejinian […]
“Copper Lyres (Materiality of Poetry in the Age of Digital Reproduction & Ecoprecarity, Part 2)” continues my assault of musings surrounding the material substrate of the internet, honing in on copper, from exploitation to salvage, at Harriet. “We set out to build, as the alarm of the obsolescing networked age, of the house and the […]
This is coming up, & it seems apt that it’ll be snowing in Buffalo whereas it was gorgeous in LA: a conversation on Landscapes, Mappings, Networks: Digital/Material Crossings: with Stephen Voyce & Adelaide Morris, Jen Scappettone, Heriberto Yepez, Mark Wallace at Poetics: (The Next) 25 Years. My 2 pennies: “Copper Lyres and Aeolian Harping of […]
Descrizione del mondo/Description of the World: This collective installation (in Turin this summer and online) was an untimely provocation in the Nietzschean sense of the Unzeitgemässe. We were asked by curator/editor Andrea Inglese to submit three pieces: one page of a book, one manual intervention on a piece of paper, one photographic image. I made […]
LEAVE LOOM/CASTING PARTY: Jennifer Scappettone and Joshua G. Stein present materials research and archaeologies of futurism and of waiting Thursday, July 30 Doors open at 7 pm Slip casting and performance begin at 7:30 pm WUHO Gallery 6518 Hollywood Blvd., Los Angeles, CA 90028 Located between Wilcox Ave. and Schrader Blvd. Hollywood & Highland is […]
please join us for the launch of the INSTITUTE SUMMER SESSIONS: OPEN LABORATORIES at WUHO’s Spatial Research Facility SATURDAY, MAY 9 7-9 PM 6518 Hollywood Boulevard Los Angeles, CA 90028 http://wuho.architecture.woodbury.edu For the summer of 2015, the WUHO Gallery on Hollywood Boulevard is being transformed into an open laboratory. Work on emerging spatial environments will […]
And at 4:30 pm, tomorrow, April 27, in 40 McCosh Hall (Entry #4) at Princeton, will be reading alongside Craig Dworkin. A reception will follow. Details here.
Judd Morrissey and I will be presenting an evolving collaborative exploration of geospatial situatedness—Exit 43’s conceptual “pop-up pastorals” in the context of mixed-reality poetics & ubiquitous data-poisons—at next weekend’s &NOW Festival at CalArts, Friday, March 27 at 8 pm. We’re honored to be thinking through the challenges of the collaborative process over time alongside the […]
Please join me for a discussion of Killing the Moonlight: Modernism in Venice, which is hot off the presses from Columbia University Press, with the remarkable scholars of modernism Maud Ellmann and Rebecca West. The event will take place at Chicago’s legendary Seminary Co-op Bookstore this Monday, 11/10/14, at 6 pm. I’ll […]
A navigable window onto “Exit 43” has just gone live at The Arcadia Project: North American Postmodern Pastoral (courtesy of Ahsahta Press), accompanied by an interview with G.C. Waldrep. Thanks to editors G.C. and to Joshua Corey for envisioning a way for these pixels to be part of the anthology.
Laura Mullen and Angela Hume christen 2014 with this special issue of The Volta devoted to garbage. From Angela’s introduction: “What we know is this: that the controlled administration, attrition, and disposal of life is now the rule of the west. The biopolitical state requires it: radical expendability in the name of furthering “democracy”—that triumvirate […]
Terrain Vague: The Interstitial as Site, Concept, Intervention, Ed. Patrick Barron and Manuela Mariani (Routledge, Fall 2013) arrived today. Inside is a piece called “Garbage Arcadia: Digging for Choruses in Fresh Kills,” discussing the gossip under the ground of devastated landscapes such as an anonymous Superfund site adjacent to my childhood home and Fresh Kills […]
Another culmination of a collaboration between Kathy Westwater (director and choreographer), Seung Jae Lee (visual design), and me, this Friday at 12:30 pm on the lawn of Pratt Institute! Featuring a “wall” of trash text. Thanks to the Office of Recuperative Strategies for supporting this event….
So there’s this chapbook/keyword manifesto/ecopoetical souvenir, A Neural Net, collectively assembled by Rachel Levitsky & Ira Livingston (OoRS), Jen Hofer (ANTENA), David Buuck (BARGE), and Jennifer Scappettone, Kathy Westwater, & Seung-Jae Lee (discussing a 2011 iteration of PARK) for the Ecopoetics Conference roundtable on “Ground Scores: Unburying Ecologies Through Embodied Practice,” convened at the University […]
Upon Thom Donovan’s invitation, my contribution to a discussion surrounding our artistic practices in the wake and current moment of the occupations, at Harriet: on the relation between capital and waste, garbage and exposure, the intimate public sphere.
PARK at Fresh Kills #2, verbose, saxophone-struck, wander-threaded wind at the dump summit of a November noon, in the captured unstill pixels of participants.
Our iLAB residency and fieldwork for PARK at Fresh Kills comes to a close tomorrow: with strings, post-consumer waste, a phantom city block and chorus, dance, and empty horns of plenty:
The introduction to our performance at Corto Circuito tonight, in Italian: Queste partiture “pop-up” fanno parte di un progetto in corso, intitolato Uscita 43, che è composto di elementi poetici, visivi, e sonori. Lo descrivo come un’archeologia di paesaggi tossici e afflitti, e un’operetta di cori “pop-up” (prendendo il termine usato per le finestre “pop-up” […]
“New York City” and its scrapings of sky seen from the perspective of its underbelly, the swollen dump mounds shrouded in plastics.
Performing pop-up choruses surrounding postpastoral landscapes from Exit 43/Uscita 43 with the Difforme Ensemble (Marco Ariano, Renato Ciunfrini, Roberto Fega) and with Ersela Kripa & Karen Yasinsky this Saturday night at the Centro Sociale Corto Circuito in Cinecittà: be there/ sii lì!
At Fresh Kills, double to Mannahatta, with Kathy Westwater, Seung Jae Lee, Leigh Draper, and Raj Kottamasu, gearing up toward our residency for PARK, a view of the East Mound of solid waste becoming laboriously yet strategically a mountain by way of 280 gas extraction wells and plastic and other geosynthetic, permanent or impermanent impermeabilities: […]
Joe Milutis’s question: see the interview here for my response. [Image courtesy of Jeremy Mende’s Anxious Futurism.] Milutis: Given this poetry requires a lot of research, is there a sense of regret that such a signature is not enough, and that your filtration process leaves out material that could be used to educate or elucidate? […]