Dear New York, o toxic cradle and longlost: I am coming to read in you this Saturday from my new book, The Republic of Exit 43. Dearest New Yorkers [who will not be at AWP]: please join me and Maryam Monalisa Gharavi at 82 West 3rd Street, NY NY for red curtains and harsh words […]
Jacket2 has generously hosted a gallery of pop-up pastorals from The Republic of Exit 43 in conjunction with an essay of mine—a commentary of sorts on their 8 years of facture. The essay, “I 0we v. I/O,” discusses the poetics of corporate veil-piercing as developed through a decade of research into the Superfund site across […]
My Atelos book of poems and poem-like materials surrounding the corporate dump is now officially available here, thanks to the essential people of Small Press Distribution. The acknowledgments are epic given that these pollutant scores passed through the hands, bodies, and voices of many friends—but I want to give a special shout-out to Lyn Hejinian […]
Sunday, November 20, from 8:30-10 am, in the Arcadia room at the Westin Pasadena, we will be holding this panel I’ve put together for the Modernist Studies Association with cherished friends and colleagues. I’ve changed my presentation to confront conditions & will be talking about the air of the polis & breathing as a political […]
My last post for Harriet, “Nursing Futurism,” reads the figure of the nurse as a confessional supplement to the manifestos of Futurism, and presents some nurses of hope in the form of Daria Faïn and Robert Kocik’s Commons Choir, and Pepe Rojo’s Tijuana Liberation Front.
“Copper Lyres (Materiality of Poetry in the Age of Digital Reproduction & Ecoprecarity, Part 2)” continues my assault of musings surrounding the material substrate of the internet, honing in on copper, from exploitation to salvage, at Harriet. “We set out to build, as the alarm of the obsolescing networked age, of the house and the […]
My fourth text for Harriet: The Blog, “Aeolian Harping: Materiality of Poetry in the Age of Digital Reproduction & Ecoprecarity,” is the beginning of a new project on rethinking the supposed dematerialization of the art object, and the supposed greenness of our current communicative channels: “What species of political and ethical complicity must we reckon […]
My Harriet post for Mother’s Day and the formula babies has been published on the Poetry Foundation’s website after a slight delay. Find it here, the first installment of a series of occasional writings for the month of May.
I’m thrilled to be giving the keynote address for “The Poetics of Place: Performing Selves In and Beyond Cities,” the 13th Annual English Studies Graduate Student Conference at the Université de Montréal on March 10-11, 2016. The event aims to explore the poetics of (non)urban spaces and the ways in which the city serves as […]
Data We Breathe (a work in progress) Caroline Bergvall, Judd Morrissey, and Jennifer Scappettone, with special guest cris cheek 6018 | North 6018 North Kenmore Ave. Sunday, February 28th, 2016, 6pm http://www.in-time-performance.org/data-we-breathe-salon/ http://www.6018north.org/current-upcoming-projects/#/http/wwwin-time-performanceorg/data-we-breathe-salon/ In this in-progress presentation of The Data That We Breathe at the stripped housing of 6018 North, Caroline Bergvall, Judd Morrissey, Jennifer […]
Wed, Jan 27, 2016 7:00pm – 9:00pm Caroline Bergvall, Judd Morrissey, Jennifer Scappettone: readings and talks toward a collaborative poetics of breath Gray Center Lab in Midway Studios, 929 E. 60th St., Chicago Mellon Fellows Caroline Bergvall (London-based artist, writer and performer), Judd Morrissey (writer, code artist and professor, School of the Art Institute of […]
I’m excited to announce that I’ll be sharing a Mellon Fellowship in Arts and Inquiry with the extraordinary multifaceted artists Caroline Bergvall and Judd Morrissey in 2016. We will be in residence at the Gray Center for Arts and Inquiry to begin a project called The Data That We Breathe: Caroline Bergvall (London-based artist, writer […]
In honor of her recent reading here in Chicago I wrote the following for Anne Boyer: Literature is against us. Which us? The us of unpaid reproductive labor. The us with a strap affixed to our shoulders. The us of those on the nether side of consumption. The us that lives in Colonial Gardens, on […]
Occupy Poetics click above to read this free chapbook curated by Thom Donovan for Essay Press! In Occupy Poetics, Thom Donovan collects a series of responses to the Occupy movement to observe how aesthetics and politics might intersect— with Brian Ang, Steve Benson, Ana Božičević, David Brazil, Brandon Brown, David Buuck, Anelise Chen, Stephen Collis, […]
LEAVE LOOM/CASTING PARTY: Jennifer Scappettone and Joshua G. Stein present materials research and archaeologies of futurism and of waiting Thursday, July 30 Doors open at 7 pm Slip casting and performance begin at 7:30 pm WUHO Gallery 6518 Hollywood Blvd., Los Angeles, CA 90028 Located between Wilcox Ave. and Schrader Blvd. Hollywood & Highland is […]
Please join us for the first event of the Salvage Series at WUHO Institute Open Laboratories featuring poet/curator/environmental activists ALLISON COBB and JEN COLEMAN Friday, June 19 6 pm sharp (loud off-Broadway action begins at the theater next door at 7 pm!) WUHO Gallery 6518 Hollywood Blvd., Los Angeles, CA 90028 Located between Wilcox Ave. […]
please join us for the launch of the INSTITUTE SUMMER SESSIONS: OPEN LABORATORIES at WUHO’s Spatial Research Facility SATURDAY, MAY 9 7-9 PM 6518 Hollywood Boulevard Los Angeles, CA 90028 http://wuho.architecture.woodbury.edu For the summer of 2015, the WUHO Gallery on Hollywood Boulevard is being transformed into an open laboratory. Work on emerging spatial environments will […]
After a circuitous journey, Roberto Harrison’s 200-page procedural poem for Noemi Press has arrived at my door. Here’s what I wrote for the back cover: “The outcome of four years’ ascetic endurance in the form of biking, meditation, and writing through all sublimities and cruelties of quotidian life and Milwaukee weather, Roberto Harrison’s perseverant sentences—issuing […]
Judd Morrissey and I will be presenting an evolving collaborative exploration of geospatial situatedness—Exit 43’s conceptual “pop-up pastorals” in the context of mixed-reality poetics & ubiquitous data-poisons—at next weekend’s &NOW Festival at CalArts, Friday, March 27 at 8 pm. We’re honored to be thinking through the challenges of the collaborative process over time alongside the […]
Gold revolution performance di Francesca Grilli 3 falchi, 14 testi sulla rivoluzione, 7 poeti — 3 falcons, 14 texts on revolution, 7 poets poesie di/poems by: Laura Cingolani, Sara Davidovics, Fabio Lapiana, Marco Giovenale, Tommaso Ottonieri Jonida Prifti, Jennifer Scappettone Testi a cura di/Texts curated by Stefania Tutino e Laura Cingolani All’interno della biblioteca dell’Accademia […]
A navigable window onto “Exit 43” has just gone live at The Arcadia Project: North American Postmodern Pastoral (courtesy of Ahsahta Press), accompanied by an interview with G.C. Waldrep. Thanks to editors G.C. and to Joshua Corey for envisioning a way for these pixels to be part of the anthology.
Laura Mullen and Angela Hume christen 2014 with this special issue of The Volta devoted to garbage. From Angela’s introduction: “What we know is this: that the controlled administration, attrition, and disposal of life is now the rule of the west. The biopolitical state requires it: radical expendability in the name of furthering “democracy”—that triumvirate […]
The term ecopoetics has become increasingly important to scholars and poets alike. It is certainly a critical moment for the field and practice. Please join us in February for a three-day conference that will focus specifically on exploring ecopoetics, taking up such questions as: What is ecopoetics? What representational strategies and sociopolitical commitments might characterize […]
My mobile talk through Cathy Wilkes’s devastating installation “I Give you All My Money” at the Renaissance Society in Chicago on February 11, 2012, titled “The Nurse in the Marketplace.” With thanks to Wilkes for having generously shared her as-yet unpublished writings, which turn the languages of both criticism and commodification inside out.