Our iLAB residency and fieldwork for PARK at Fresh Kills comes to a close tomorrow: with strings, post-consumer waste, a phantom city block and chorus, dance, and empty horns of plenty:
At Fresh Kills, double to Mannahatta, with Kathy Westwater, Seung Jae Lee, Leigh Draper, and Raj Kottamasu, gearing up toward our residency for PARK, a view of the East Mound of solid waste becoming laboriously yet strategically a mountain by way of 280 gas extraction wells and plastic and other geosynthetic, permanent or impermanent impermeabilities: [...]
Just in time for our imminent pilgrimage to the ancient landfill of Monte Testaccio: audience thoughts salvaged from the performance of “PARK” at Freshkills, Staten Island, posted at Kathy Westwater’s blog, here.
EJ McAdams writes about PARK at Freshkills (and at Dance Theater Workshop) for Critical Correspondence @ Movement Research: “I wanted to leave a trace of this dance, a dance that seems to have no beginning like a dream and no ending, only this awakening into the way we precariously move about on a landfill over [...]
Dark anniversary. Still to work in sentences through the moment of PARK at Freshkills following a hypnotic duet by Ursula Eagly and Kazu Nakamura when the realization dawned that, due to contingencies of wind, I’d be reciting an elegy for Taimour from the harbor directly facing the absence at the end of Manhattan. Letting the [...]
My colleague in Chicago, the novelist/poet/translator/critic John Keene, was among those who joined us at Freshkills for PARK on June 26 and writes generously about it on his blog: “It was, to put it simply, unforgettable. I’m no dance critic so I won’t even try to describe it, but I did appreciate how the performance [...]