Many thanks to Katherine Duckworth, whom I’ve never met, for singling out The Republic of Exit 43 among the teeming volumes of February as a Small Press Distribution Staff Pick. Only 3 more days to snatch this and all other recommended February titles up at 20% off with the code SPDPICKS….Click here: The Republic of […]
My last post for Harriet, “Nursing Futurism,” reads the figure of the nurse as a confessional supplement to the manifestos of Futurism, and presents some nurses of hope in the form of Daria Faïn and Robert Kocik’s Commons Choir, and Pepe Rojo’s Tijuana Liberation Front.
My fourth text for Harriet: The Blog, “Aeolian Harping: Materiality of Poetry in the Age of Digital Reproduction & Ecoprecarity,” is the beginning of a new project on rethinking the supposed dematerialization of the art object, and the supposed greenness of our current communicative channels: “What species of political and ethical complicity must we reckon […]
My third blog post for the Poetry Foundation’s Harriet is a continuation of the second: it thinks through Amelia Rosselli’s imagination of the nymph Chloris, and the ramifications of treating Chloris, represented by both Botticelli and Rosselli in choked polyphony, as a figure of translation. “Translating, and retranslating, Rosselli’s late distressed pastoral over the years […]
Occupy Poetics click above to read this free chapbook curated by Thom Donovan for Essay Press! In Occupy Poetics, Thom Donovan collects a series of responses to the Occupy movement to observe how aesthetics and politics might intersect— with Brian Ang, Steve Benson, Ana Božičević, David Brazil, Brandon Brown, David Buuck, Anelise Chen, Stephen Collis, […]
Please join us for Communication in the Seismic Channel featuring WILL ALEXANDER AND JONATHAN SKINNER Thursday, July 23 7 pm WUHO Gallery 6518 Hollywood Blvd., Los Angeles, CA 90028 Located between Wilcox Ave. and Schrader Blvd. Hollywood & Highland is the nearest metro stop on the Red Line http://wuho.architecture.woodbury.edu/ As “price of admission,” the public […]
Please join us for the first event of the Salvage Series at WUHO Institute Open Laboratories featuring poet/curator/environmental activists ALLISON COBB and JEN COLEMAN Friday, June 19 6 pm sharp (loud off-Broadway action begins at the theater next door at 7 pm!) WUHO Gallery 6518 Hollywood Blvd., Los Angeles, CA 90028 Located between Wilcox Ave. […]
Marthe Reed has curated a new issue of Dusie devoted to “Ecopoethos: Writing and Art.” I’ve got a broadside of Neosuprematist Webtexts (my 2009 collaboration with spiders, lenses, and light) in the mix alongside work by Marcella Durand, Lily Hoang, Jen Hofer, Angie Hume, Brenda Iijima, Bhanu Kapil, Sueyeun Juliette Lee, Michelle Naka Pierce, Deborah […]
I’m so delighted to be speaking and reading at Pratt’s pioneering new MFA program in writing in early November about pre-Pandoran fantasy and forms of vengeful obsolescence from modernism forward. By way of writingactivism: Electric Moonlight and Undead Tides: Woman, Decadence, and Modernism Wednesday, Nov. 5th 7:15-8:15 Engineering 307, 3rd Floor Engineering Bldg. WRITING […]
The term ecopoetics has become increasingly important to scholars and poets alike. It is certainly a critical moment for the field and practice. Please join us in February for a three-day conference that will focus specifically on exploring ecopoetics, taking up such questions as: What is ecopoetics? What representational strategies and sociopolitical commitments might characterize […]
And the seasons begin to cycle as each day brings another spur for vulnerability, another adieu and another resolution to self vis-a-vis composer Paul of the bidirectionality of time in circles.
At the Villa Medici: from Paris to the Pincio, perfect coherence of voluptuousness in stone embraced otherwise, alive.
Worth the sweltering heat of stone discharged from the arbors of the living, amplifying the rise and fall of expectations to locate any trace of memory of the fratelli Rosselli in this their first burial site: a stone’s throw from Toklas and Stein, a porquoi become genital and mouth of Jacob Epstein’s direct carving softened, […]
First vote in this country: 4 yeses supported by more than 95% of voters: no to privatizing water, letting powerful criminals loose, development of nuclear power. “And yet the wind still breathes….”: rundown of how to vote last weekend posted on the door for a social club of old men wearing derbys at dusk in […]
“Se vogliamo che tutto rimanga come è, bisogna che tutto cambi.” “If we want everything to remain as it is, everything must change.” Citation (Il gattopardo) ringing in consciousness departing from Sicily, trumpets of flora over the 16th-century ramparts. A friendly, yet most aware pair of landlords, now, the proprietaria denim-vested.
Nature once again reflecting culture, making its own vertigo and mask for a friend in what remains of the ingeniously experimental Greek baths.
“Non ci passa una lira,” says the lady we meet surveying her high plaza with diamond facade from the waist up, and who justifies our afternoon chocolates by identifying us as her “children” to a daughter several minutes later. Not a cent passes through here yet everywhere—pizzerias, baseball caps, banks—is the immense unidentified Hellenistic goddess […]
A sticker bedecking the she-wolf-head fountains around town. Once Massimo Cacciari started getting on the bandwagon, they began to call the tap water in Venice “the mayor’s water.” Don’t sell it: vote for public water on the referendum of 12-13 June. In Rome, where providing water to the public is a glorious tradition, a friend […]
Delighted to find a poem by the counter of the Casa del Caffé in the Campus Martius—a tradition in Italy, it seems—so that even the hairdresser’s business card is full of rhymes— “Coffee, it rustles my soul, like wind on the mount that breaks in amongst the oaks and loosens and agitates the limbs, sweetbitter, […]
“YOU…SPACE WITHOUT LIMITS” Sensing exactly what the vandal means, gazing out beyond the cordoned Villas, cordoning Cupola and its arcade embrace, at this pastel haze in company.
The Acqua Claudia, highest aqueduct of all, serving thus each quarter high and low of Rome, now backdrop straight out of Pasolini for the starring poppies & weekend runners of Cinecittà and Centocelle.
The introduction to our performance at Corto Circuito tonight, in Italian: Queste partiture “pop-up” fanno parte di un progetto in corso, intitolato Uscita 43, che è composto di elementi poetici, visivi, e sonori. Lo descrivo come un’archeologia di paesaggi tossici e afflitti, e un’operetta di cori “pop-up” (prendendo il termine usato per le finestre “pop-up” […]